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The Way of All Flesh, by Samuel Butler
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The 100 Greatest Books Ever Written. Illustrated by Robert Ward Johnson and introduced by Theodore Dreiser. Bound in the publisher's original green composition leather with the title stamped in gilt on the spine. Three raised bands on the spine. Decorations stamped in gilt on the covers and spine. All edges gilt. Silk moire end papers.
- Sales Rank: #2590240 in Books
- Published on: 1980
- Number of items: 1
- Binding: Leather Bound
- 588 pages
Most helpful customer reviews
117 of 119 people found the following review helpful.
The Victorian Novel Grows Up
By brewster22
"The Way of All Flesh" seems to be best known as the Victorian novel that thumbed its nose at Victorian novels. For this reason, it's frequently mentioned in talks of literary history, but I don't ever hear of anyone praising Samuel Butler's novel from an artistic perspective. Actually, I find the book more interesting for its story than for its place in the development of 19th and 20th century literature.
I tried to read this novel once and only got through the first 100 pages or so. I found it remarkably dull and dry, and the tone of the first-person narrator (Mr. Overton), who stops the action every 10 pages or so to offer personal asides that reveal more about him than about the characters he's writing about, I thought to be snide and irritating.
But I hate not finishing a book, so I picked it up again, this time understanding that it would be a dry read and prepared to appreciate it for its historical context. To my surprise, I found myself caught up in the story and thought the whole thing very funny. I can't believe I missed all the humour the first time through.
I hesitate to give this novel too much credit for deflating the pompous bubble of Victorian morality, because other authors writing at the same time as Butler were doing the same thing (Dickens for one can be incredibly caustic). But there is a maturity to Butler's writing that is not present in other Victorian writers. This novel feels much more modern than anything else written pre-1900, and even feels more modern than some books written after. Unlike Dickens, whose characters are either all good or all bad and have about as much depth as the characters you'd find in a comic book (this isn't a criticism--I like Dickens), Butler's characters (at least Ernest, his protagonist) seem very much alive and flawed. Ernest is easily influenced by everyone around him and makes decisions based on how he thinks he should act rather than how he wants to act. He doesn't know what he wants out of life, he's a screw up, he's got lousy luck. All of these things make him quite endearing because they make him so human. The scathing criticism of religious hypocrisy and moral bombast exhibited by the majority of people in Ernest's life can be funny, especially if you agree with it (as I do), but the story itself is much more interesting than the social commentary.
I would definitely recommend this book. It's not necessarily a page turner, but it consistently held my interest. Just remember that it's supposed to be funny. Think of Butler as a 19th century Evelyn Waugh, and you should do just fine.
48 of 50 people found the following review helpful.
Timeless Classic Remains Fresh and Stimulating
By Gregory N. Hullender
The Way of All Flesh covers six generations of strife in the Pontifex family, and spans a period from 1750 to 1880. However, the bulk of the story concerns the life of Ernest Pontifex, from about age 5 up to age 28, and describes his unsatisfactory relations with his parents, his school, his church, his wife, and his friends. Sometimes we feel sorry for Ernest, because many of his problems are caused by unbelievably cruel or thoughtless people, and sometimes we're furious with him, because he himself is the author of at least half of his troubles, but either way his misfortunes make him stronger and move him steadily along the path to maturity. Throughout, the book remains an easy read, although the writing is very witty and often rewards close examination.
Even today, 100 years after the book's publication, a reader finds many things to identify with. Anyone who felt unjustly treated by his or her parents or teachers will find much to sympathize with here. Anyone who has wrestled with the conflict between Reason and Faith will find much to think about here. Given how much change the last century has seen, it's surprising how many of the issues still seem fresh and relevant, and the book definitely makes you think about them. It is easy to see how many people have described reading The Way of All Flesh as a turning point in their lives.
A point worth keeping in mind: the characters are all described from Ernest's point of view. Several clues tell us that Ernest exaggerates the cruelty of various characters - some of whom seem evil beyond belief, and I think it's quite clear that, at these points, we're supposed to smile at Ernest - not shake our heads at the author. This is most obvious with Ernest's schoolmaster, Dr. Skinner, whom Ernest consistently sees as a pompous fool, but who we also know is very popular with the best students, and who shows other signs of being a much better man than Ernest believes him to be.
The footnotes in my edition (Penguin Classics 1986) are very skimpy, focusing on comparing elements from Ernest's fictional life to Samuel Butler's real one. The failure of the notes to translate passages in French or Latin, or to explain very contemporary references, is inexcusable. (E.g. but for the recent controversy over his Beatification, we'd have no clue that "Pio Nono" was Pope Pius IX.) Hoggart's introduction (1966) is decent but a bit dated, not having weathered as well as the book itself!
38 of 40 people found the following review helpful.
An overlooked gem.
By Birck
I won't comment on the Kindle edition-vs-the hard copy of this book, but on the book itself. Having heard of it forever, when the Kindle version came out, free, I went for it, and was amazed. It was written in the 1860's, but not published until Butler's death in 1903 or 1905, and the reader can see why. It's a semi-autobiographical novel about a young man growing up in rural surroundings in nineteenth-century England. His father, the local curate, and all the other "pillars" of English society are shown to be hopelessly pompous, ignorant hypocrites, while still believable as characters. When he finally comes into some money,independently, his entire wretched family pitches in to convince him, first, that he is unworthy of such good fortune, and, second, that he should give it all to them. Butler's writing style is to leave most of the dialogue indirect, so there aren't a lot of quotation marks in the book, but that gives him plenty of room to offer snide comments on the proceedings. The resulting style is like a three-way cross between Jane Austen, Charles Dickens, and Anthony Burgess.
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