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Based on historical people and real events, Arthur Miller's play uses the destructive power of socially sanctioned violence unleashed by the rumors of witchcraft as a powerful parable about McCarthyism.
- Sales Rank: #181 in Books
- Brand: Penguin Classics
- Published on: 2003-03-25
- Released on: 2003-03-25
- Original language: English
- Number of items: 1
- Dimensions: 7.68" h x .48" w x 5.06" l, .35 pounds
- Binding: Paperback
- 143 pages
- Great product!
Review
Under Martin Jenkins' direction, the brilliant L.A. Theatre Works actors give performances that are intense, chilling and deeply moving. --Tom Jacobs, The Daily News, April 10, 1988
At once an allegory of the 1950s' anti-communist witch hunts and a spotlight on seventeenth-century witch trials in Salem, Massachusetts, this play shows how ignorance and good intentions can interweave to destroy lives. The star-studded cast ratchets the tension to a disturbing level as the town disintegrates. The young girls playing at witchcraft shriek in irregular counterpoint to the quiet, terrifying judgments rendered by Reverend Harris (Michael York), and doubt is ever more audible in the voice of Reverend Hale (Richard Dreyfuss). Most moving is Stacy Keach as John Proctor, who fights to salvage some good from the trials that destroy Salem. --AudioFile Magazine
From the Inside Flap
Richard Dreyfuss and Stacy Keach star in this full-cast performance of Arthur Miller's classic The Crucible, a central work in the canon of American drama.
In the rigid theocracy of Salem, Massachusetts, rumors that women are practicing witchcraft galvanize the town. In a searing portrait of a community engulfed by panic - with ruthless prosecutors, and neighbors eager to testify against neighbor - The Crucible famously mirrors the anti-Communist hysteria that held the United States in its grip in the 1950's. A Tony Award Winner for Best Play.
An L.A. Theatre Works full cast performance featuring:
Richard Dreyfuss as Reverend John Hale
Stacy Keach as John Proctor
Ed Begley Jr. as Thomas Putnam
Michael York as Reverend Parris
Hector Elizondo as Giles Corey
Irene Aranga as Mercy Lewis
Rene Auberjonois as Deputy Governor Danforth
Georgia Brown as Rebecca Nurse
Jack Coleman as Marshal Herrick
Bud Cort as Ezekiel Cheever
Judyann Elder as Tituba
Fionnula Flanagan as Elizabeth Proctor
Ann Hearne as Susanna Walcott
Carol Kane as Mary Warren
Anna Sophie Loewenberg as Betty Parris
Marian Mercer as Mrs. Ann Putnam
Franklyn Seales as Judge Hathorne
Madolyn Smith as Abigail Williams
Joe Spano as Francis Nurse
Directed by Martin Jenkins.
About the Author
Arthur Miller (1915–2005) was born in New York City and studied at the University of Michigan. His plays include All My Sons (1947), Death of a Salesman (1949), The Crucible (1953), A View from the Bridge and A Memory of Two Mondays (1955), After the Fall (1963), Incident at Vichy (1964), The Price (1968), The Creation of the World and Other Business (1972) and The American Clock (1980). He also wrote two novels, Focus (1945), and The Misfits, which was filmed in 1960, and the text for In Russia (1969), Chinese Encounters (1979), and In the Country (1977), three books of photographs by his wife, Inge Morath. His later work included a memoir, Timebends (1987); the plays The Ride Down Mt. Morgan (1991), The Last Yankee (1993), Broken Glass (1994), and Mr. Peter's Connections (1999); Echoes Down the Corridor: Collected Essays, 1944–2000; and On Politics and the Art of Acting (2001). He twice won the New York Drama Critics Circle Award, and in 1949 he was awarded the Pulitzer Prize. Miller was the recipient of the National Book Foundation’s 2001 Medal for Distinguished Contribution to American Letters, the Prince of Asturias Award for Letters in 2002, and the Jerusalem Prize in 2003.
Christopher Bigsby is a professor of American Studies at the University of East Anglia. He edited the Penguin Classics editions of Miller's The Crucible, Death of a Salesman, and All My Sons.
Most helpful customer reviews
106 of 112 people found the following review helpful.
A Moving and Brilliant Play
By M. A Netzley
The play's main narrative line tells the story of the Salem witch hunts which took place in Massachusetts, 1692. At a deeper level, Miller raises several powerful and important questions about human life and morality. But the play's most amazing quality is that it is not "deep" or "philosophical" by traditional standards. Miller has, in a short and easy-to-read manuscript, opened the door (or maybe I should say he presents the reader with a mirror) to modern political life.
The play is essentially a crtique of McCarthyism and the the communist scare of the 1950s. Miller saw the parallels between the witch hunts and the McCarthy trials, and found the witch trials to be a compelling vehicle for discussing modern events. Key themes include:
1. People gaining absolution from the powers-that-be by confessing the sins of others.
2. The power of community rituals, such as confession.
3. The role of political opposition and the consequences of compliance (passive or active).
4. The consequences of a polarized world views and mass hysteria.
These are just a few of the themes. The play is quite clearly a great tragedy, but remains a tragedy for our times. Through characters we can connect with, Miller convincingly shows us that the lessons from the witch hunts still apply. As a reader, I am convinced that Miller's play remains relevant and powerful in the twenty-first century. Miller has left me with questions, regarding world events in 2002 and 2003, that I did not have before reading the play.
I read this play in only a couple hours. It is compelling, engaging, and difficult to put down. Personally, I feel this text stands a great chance of making it onto my "top ten" list of best manuscripts. I highly recommend this play.
48 of 50 people found the following review helpful.
Frightening Possibilities
By RCM
As usual, Arthur Miller was in rare form when he wrote "The Crucilble." Although on the surface it is about the Salem Witch Trials, Miller's true inspiration came from the Red Scare that plagued Hollywood in the middle of the twentieth century (and included his pal Elia Kazan). The fact that Miller wove factual history with the hysteria of his day makes "The Crucible" all the more chilling.
Throughout the course of the play, a collection of teenage girls 'confess' to having seen various women and men of the town of Salem with the devil. This hysteria sweeps over the town as even the authorities fall under the sway of these lying young girls. Caught in the middle of these hysteronics is the Proctor family - John and Elizabeth, who have struggled in the past, but are trying to rebuild their marriage. They are rent apart when Elizabeth is suspected of being a witch. John hopes to clear his wife's name, but only manages to make matters worse for both of them.
The hysteria experienced in Salem is chilling in the fact that these sorts of witch hunts occur today, in all different areas of society. "The Crucible" shows how easily people can be swayed, with the barest of evidence, to believe something that is false. Miller's play is extremely well-written and informative, and almost too frighteningly real.
33 of 35 people found the following review helpful.
a great recording
By Amazon Customer
I used this recording this year while teaching "The Crucible". My students loved it!! The emotion conveyed by the cast is SO much better than the typical monotone voice that students use while reading out loud. Even though there were some small parts that are skipped when following along with our textbook, it was completely worth it (and the parts skipped were very small - it was very easy to read it aloud if necessary).
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